Brit’s commercial work is both precise and instinctual.

Years as a gymnast taught Brit that discipline creates freedom. Hockey taught her to take the hit and keep going. That persistence is part of her process. She’ll keep pushing, refining, and looking until she finds something real. She studies performance and regularly takes acting workshops, continually refining her ability to draw out something true. Performance is at the heart of Brit’s films, shaping how she works with people and builds worlds. She creates moments that feel instinctive, and worlds that feel lived in.

Overly theatrical performances disappear, leaving only people being themselves in the moment. You feel it in her Powerade film. In the small details, like Skylar’s mom telling her not to rub her eyes. In the way jokes land a little too early or late, making the chemistry feel familiar, like her work with NYX. In the imperfections of Brit’s Nike campaign, making a superhuman athlete like Olympic sprinter Dalilah Muhammad feel completely human.

Splitting time between New York and Paris, Brit works across commercial and narrative film, interested in what makes a moment feel true. Her work includes Nike, Adidas, White Claw, Puma, UGG, and more.